Such a set of greedy and amoral characters have seldom been assembled in a Web series, observes Deepa Gahlot.
Sunil Grover and a perky Adah Sharma somehow salvage Sunflower 2, observes Deepa Gahlot.
Taali is an addition to the small list of films that are willing to offer respect and dignity to a marginalsed and misunderstood community, applauds Deepa Gahlot.
It introduces random characters, goes on several wild goose chases and is incapable of holding onto any thread of the plot, sighs Deepa Gahlot.
Picking 10 excellent performances has been difficult but the attempt is to acknowledge the work of actors, who are often overlooked in favour of stars.
The lives of the kids Deepa Bhatia portrays in the series are bleak, with small periods of sunshine when they get picked for an ad or serial, punctuating the longer periods of struggle, observes Deepa Gahlot.
There is an authenticity and sense of purpose about Dry Day which is appealing, observes Deepa Gahlot.
Much better films about the explosive -- if often misdirected -- energy of the young have been made before than Dange, points out Deepa Gahlot.
Ranneeti: Balakot And Beyond veers between intriguing and boring, observes Deepa Gahlot.
Hundreds of films have created magical adventures through road trips, Atithi Bhooto Bhava is just dreary, observes Deepa Gahlot.
There is a lot more to Bollywood than the unguarded glimpses Showtime offers, observes Deepa Gahlot.
Yaatris works neither as a comedy nor as a family drama.
There are enough threads left to weave a Season 4, hopefully without the dark clouds hovering over Phulera.
Khichdi needs a lot more masala, observes Deepa Gahlot.
Ever wondered why Shabana Azmi is the way she is?
Lootere deserves points for originality and novelty, observes Deepa Gahlot.
The top 10 films of the year may not be great by themselves but they stand out amidst the other OTT releases.
Zindaginama keeps its tone hopeful and steers away from making the stories tragic or depressing, observes Deepa Gahlot.
Teja Sajja is agile and a decent actor but not charismatic enough to watch in almost every frame, observes Deepa Gahlot.
The Naxal movement has such a complex history that several books have been written to understand it. Bastar: The Naxal Story seeks to reduce it to bullet points and stereotypes, observes Deepa Gahlot.
The year was rich in content as far as Web series were concerned.
Huma Qureshi's Rani Bharti was the ace in the pack, but everything that she does in this season smacks more of script conveniences than careful plotting, observes Deepa Gahlot.
The new season coasts along on the simple anecdotes that make up the piggy bank of family lore; the performances are as wonderful as before, but the sharpness of humour is starting to dull a bit, observes Deepa Gahlot.
Film-makers seem to think a modern woman has to adopt the worst traits of men, observes Deepa Gahlot.
Among the many reasons to watch Murder In Mahim is that it may be a chance to wipe out -- if it is achievable by a Web series -- the air of judgment towards those who do not conform to the majority's idea of normal, asserts Deepa Gahlot.
Women Of My Billion is stark and disturbing, but at the end of it Srishti Bakshi is still able to say, 'My India is not beyond repair', observes Deepa Gahlot.
Rohit Shetty's strengths have been action and humour; the former he delivers in spades, but the latter is totally lacking in Indian Police Force, observes Deepa Gahlot.
Pankaj Tripathi anchored the first two seasons with his performance. Here, he is made to sit it out for most of the show, and none of the actors, except for a fiery Ali Fazal, have the charisma to hold the viewer's attention, observes Deepa Gahlot.
Nawazuddin Siddiqui is not romcom material, notes Deepa Gahlot.
At no point in Dhoka: Round D Corner does the tension build up as it goes quickly from thriller to unintentional comedy, feels Deepa Gahlot.
Article 370 is not as crude as some of the openly propagandist films made in recent times. It could at least open up a discussion on what is to be done to heal the wounds of the people of Kashmir, which years of shrieking TV debaters could not do, feels Deepa Gahlot.
Jawan is disproportionately extolled for making political comments, but it is a small film like Bhagwan Bharose that usually sticks its neck out, notes Deepa Gahlot.
There are no great emotional highs or lows in Dono. It is just made up of little moments of normal interactions between young people, observes Deepa Gahlot.
Any aware viewer, who might wander into the film, will be repulsed by this unabashed spewing of communal hatred, feels Deepa Gahlot.
Choona is too slow, has redundant characters and needless complications, observes Deepa Gahlot.
Bhakshak should create some awareness and maybe raise some compassion towards victims of abuse, observes Deepa Gahlot.
Aarya Aakhri Vaar should have been slicker and more polished than the first, or at least ended with a louder bang, observes Deepa Gahlot.
Detective shows like CID did a better job than Gumraah of creating thrilling cases, observes Deepa Gahlot.
Even the worst movies have a song, a scene, or a performance that makes all the effort of making a film worthwhile. This one should have been scrapped at script stage, declares Deepa Gahlot.
The three women, because of their names and position, would get the eyeballs anyway, but if they do not rise above the superficial, it would be a wasted opportunity to reach out to and inspire women in particular, observes Deepa Gahlot.
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